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Easyworld Taylor-made
For Success
Gig Review by Dawn / Photo by Di
Had it been any other evening of the tour, all
eyes would have been focused firmly on flamboyant frontman Dav
Ford, resplendent in his bright white cowboy hat, as Easyworld
took to the stage.
Tonight, however, not a single jaw fails to hit
the Leadmill floor as bass-playing beauty Jo Taylor
strides out wearing a black PVC catsuit to steal the Sheffield show.
Thankfully, the band’s performance is equally
stunning, thus ensuring that the fans are left as dumbstruck by
the show as by the sultry Ms Taylor. Tonight’s set comprises
old favourites and spellbinding new songs, all of which receive
the same enthusiastic reception from the Steel City crowd; the inclusion
of debut album gem A Stain To Never Fade is particularly
well-received, not having featured in the band’s live shows
for some considerable time.
As is now traditional, Bleach gets everyone
bouncing and the irresistible energy continues into the wonderfully
resounding riffs of Celebritykiller, already a crowd favourite
thanks to its previous live outings. And, of course, no Easyworld
gig is complete without Top 40 hit Junkies giving Dav and
the ever-smiling Glenn the chance to demonstrate their talents on
mandolin and melodica respectively. As if that wasn’t enough,
previously unheard track A Lot of Miles From Home proves
that Dav is quite adept at harmonica playing too.
Easyworld are revered for their impassioned live
performances, none more so than tonight when childish heckling from
an audience member interrupts Til The Day’s gentle
piano introduction and spurs Dav on to sing with more feeling than
ever. An intriguing cover of Elton John’s I Guess That’s
Why They Call It The Blues goes some way to lighten the mood
again, before Dav dons his cowboy hat once more for the fantastic
forthcoming single 2nd Amendment, its keyboard chords and
topical lyrics rendering it an instant hit with the fans.
Then, with an extra-sleazy rendition of You and Me (which
includes a tongue-in-cheek nod to Electric Six’s Gay Bar)
and a closing Goodnight, the trio bid the crowd farewell.
2002’s This Is Where I Stand showed
great promise for a debut LP and yet, judging by tonight’s
performance and songs from the eagerly-anticipated Kill The
Last Romantic album, Easyworld’s best is still yet to
come.
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